Thinking Out of the Box

Posts Tagged ‘Design Principles’

Spoilt for choice – comparing four concept tools

Laura Festl

When a small concept turns into a hundred wireframes that quickly turn into a prototype, sometimes the question arises too late: Which tool would have been the right one? In our work at Centigrade, we often consider which tools we can best use to create concepts. As always, this depends on many factors and we decide on different criteria in every project. First, the context matters: Will the concept be directly implemented? Are specifications to be written? Do we do the visual design for the concept or do we hand it off directly to the customer? The decision could also hinge on whether a click prototype should be built, whether a usability test takes place or whether animated transitions between the individual wireframes/screens are prioritized for the project from the very beginning. Finally, customers also may have preferences for tools that they use themselves.

The bottom line is: there is no general recommendation for a particular tool. Still, I want to break down what advantages and disadvantages I see in some of the common tools to help other designers to decide.

read more…

Cultural Awareness – Start Becoming an International Designer

Chloe Chan
Chloe Chan
July 29th, 2016

I can still remember the moment when I was up in the sky looking down on Frankfurt, anxious yet excited. In June 2015, I moved from my hometown Hong Kong to a country known for its beer, sausages and miserably cold winter – Germany. It was indeed pretty intense for me as I had never travelled to Europe before. And when I did, I started living and working as a UX designer there.

Being International: More Than a Matter of Geography

After going through the culture shock, I realized that being a truly international designer is more than just a matter of geography. Travelling and living in another country won’t make you international if you are narrow-minded, reluctant to look further at the cultural influences behind those behavior and thoughts that you find it hard to identify with. read more…

Picasso didn’t need usability tests

Günter Pellner
Günter Pellner
June 30th, 2016

Please take the following with a grain of salt, a slice of lime and a big portion of good-natured humor: Below we dive into the fictional world of a very naïve designer. The situations are exaggerated on purpose to illustrate some of the difficulties designers can fall prey to when they do not have an overall understanding of the design process with its stakeholders on client- as well as on user-side. Each issue of the fictional designer is contrasted with that broadened perspective.

The first Feedback

Monday morning. I am launching Outlook and, behold: The e-mail I sent on Friday has just been answered. There is feedback on my newest design – yay! With a humming growing louder and louder in my ears I read that almost everything looks ok – which, of course, to my artistic soul feels like a slap in the face! Because “…almost everything…” and “…looks ok…” basically means that my, oh so perfect visual concept will be taken apart.

All my work for nothing! Researching for hours to find the perfect font. Putting so much thought into every margin. Wisely selecting colors with the pantone catalog I stole from the hardware store specifically for that purpose. And now someone dares to demand changes to my creation? Did da Vinci have to make changes to the Mona Lisa? Did Picasso do usability tests? Did Van Gogh ever read his e-mail? Who knows… I, for one, know immediately and with certainty: After all the changes that are being demanded the design will be ruined and, adding insult to injury, I will have to be the one to destroy that work of art.

I Love my job. read more…

What consistency means for a cat and what it means for your interface

Jonas Stallmeister

In interface design, the term consistency is part of the professional jargon. It is used for everyday feedback and in long term concepts. It is also common ground with developers and clients. Consistency is an important evaluation criterium. Enough reasons to get a good handle on the term. read more…

The truth is black on white.

Jonas Stallmeister

Black text on a white background is trustworthy. Even more so: black on white is a fact. It is printed and displayed on screen. The truth is said to be “black on white”. Except when it is not. In programming, the truth oftentimes is white on black. And the truth was white on a blackboard back in school. There are reasons for these exceptions and there are reasons for the rule. I’ve collected some of the reasons that might be interesting for interface designers.

read more…

“Form Follows Function” – An unclear design principle

Andreas Burghart

Introduction

“Form Follows Function (FFF)” – You can think for hours about these three words and for their explanation quite some words are necessary, for it is a frequently misunderstood design principle. read more…

User Interface Architectures – Four Things Architecture and Interface Design Have in Common

Jonas Stallmeister

When I started working at Centigrade, I wondered what the “User Interface Architectures” tagline in the company name is about. New terms are common in our line of work; the terminology is still young and changing all the time, many people try to influence it with their own terms and definitions. Still, I thought “why architecture” – maybe you, as a reader, did too?

The short, upfront answer: drawing attention. Readers are supposed to be teased by that line. So, of course it is supposed to stick out, elicit associations and set Centigrade apart.

Still, “User Interface Architectures” is not just another empty cliché buzz term, which brings us to the long, more profound answer. These words sum our work up for newcomers quite precisely and descriptively. We always have to expect that customers, users and external designers or developers may not have a clear understanding of our work. By comparing our services to the field of traditional building architecture, we offer a way to approach it.

Of course, we and other interface designers are familiar with the typical tasks, processes and results of our field. If, however, we get lost in our own work, the comparison to traditional architecture and to traditional architect’s way of working can bring about new ideas and give us new drive. Internally, “User Interface Architecture” forces us to re-evaluate our way of work and view it in a broader context. We want to present four things architecture has in common with user interface design to show how the comparison works internally and externally. read more…

The Number Seven Is Not Magical, but Cognitive Capacity Limitations Are Real and Relevant (Part 1)

René Liesefeld
René Liesefeld
January 31st, 2012

There are several apparently axiomatic design principles that purport to be perfectly adjusted to the human cognitive system. Their prominent characteristics are that they are broadly applicable and easy to grasp for the psychological layperson. Unfortunately, however, they are usually false. One of these principles is the “magical number seven”. Very loosely based on an influential article by Miller (1956), this “magical” number provides designers with an easy guideline to estimate how many elements their products can maximally contain without overcharging the cognitive capabilities of their users. Generations of designers were forced to limit, for example, steps in a workflow, tabs, items in dropdown lists, links, choices, bulleted lists, radio buttons and checkboxes, to this apparently magical number (cf., e.g., Eisenberg, 2004). As every myth, there is also some truth to the “magical number seven”. I here give a brief overview of some aspects of research on cognitive capacity limitations from a basic experimental psychological perspective. Although the here discussed insights are not as magically applicable as some would like, the present overview might be of use for the interested UI designer.
read more…

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